Summer Line Challenges

Well, it seems that I am on an 8-month update schedule for blogging, maybe I need to step in up a bit!
"Simplify" still is on my mind, but I'm not there yet!

Our Advanced Studio Seminar with Michael O'Keefe ended in April with an amazing show at a location in the Cedars in Dallas. As a class we all grew and learned from Michael, from other visiting artist critiques, and from each other. Not to mention learning from ourselves, digging deeper, exploring and sometimes surprising ourselves with what we discovered. In the end, we became a closely knit set of comrades and found the experience exhilarating, educational, exhausting, and encouraging!

In July I attended another workshop with one of my all time favorite teachers, Lisa Pressman, and another favorite, Jeff Hirst. We were as a group doing very diverse work, some using encaustic, some oil and cold wax, and still yet, we were introduced to printmaking with encaustic collagraph.

In the end, it seems our marks are so individual to each of us and they pushed us to the next level. Which leads to what I have been doing when life keeps me away from the studio or class

I have been exploring with LINES - mark making in journals and notebooks or any piece of paper that is near! I love playing with black and white, be it ink, charcoal, graphite, wax, or whatever. I love exploring different marks with the way the implement is held, turned, twisted, and if it is in the dominant or non dominant hand, not to mention when one closes their eyes. And then there is the space of the page, how many ways can it be divided?  

Then the rabbit hole appears, what if I play with color.... ahhh... this month, my goal.... color!

So these I share today!
Movement from one side to another of the page. minimal, think about space divisions!

Think about connections, between squares without any real thought!
Is that possible?

Fill each square, vary the inside shapes.

Encaustic monotype, squares taped off then removed.

From one square to another, movement and varied line thickness

Graphite, flow, gestural

Disjointed, slow moves, Non dominant hand

Encaustic Collagraph